Writers' & Artists' Yearbook: 100th Anniversary Edition
by
A & C BLack
Order:
USA
Can
A & C Black, 2006 (2006)
Softcover
Reviewed by Hilary Williamson
I
love Ian Rankin's quote on the cover of this 100th Anniversary Edition of the well-thumbed resource: '
Even established writers can feel as though they're climbing a mountain. Think of the
Writers' & Artists' Yearbook
as your sherpa
'. The contributors listed on the back cover of this '
directory for writers, artists, playwrights, writers for film, radio and television, designers, illustrators and photographers
' are big names like J.K. Rowling, Terry Pratchett, Bernard Cornwall, and Simon Winchester.
I
n his Foreword, Rankin tells how he used an older version of the yearbook to get published and find an agent. In addition to the major sections on different artistic venues -
Newspapers and magazines
;
Books
;
Poetry
;
Television, film and radio
; and
Theatre
- there is coverage of
Literary agents
;
Art and illustration
;
Picture research
;
Societies, prizes and festivals
;
Writers and artists online
;
Resources for writers
;
Copyright and libel
(I can think of a few authors who should have read this section last year!); and
Finance for writers and artists
.
T
he
Books
section explains what's involved in
Getting Started
, advises on the
Dos and don'ts of approaching a publisher
, and lists publishers. There's a useful chapter on
Understanding the publishing process
for those not in the business, and essays by authors successful in different genres - including Joanna Trollope, Terry Pratchett (who's almost as entertaining here as in his
Discworld
books), and Mark Billingham - as well as advice from G.P. Taylor on
Self-publishing
and from Andrew Crofts on
Ghostwriting
. And any aspiring author must read Alison Baverstock's '
Is there a book in you?
', which talks about 10 key resources needed.
T
here's much more - all of it informative - on marketing, book distribution, recent publishing trends etc.. I found the sections on
E-publishing
and
Electronic Rights
very useful. Overall, this yearbook focuses first on the British publishing context, but covers other countries (like the US, Canada, and Australia) as well and offers insightful essays which apply to writers and artists anywhere. Ian Rankin thinks of this
Writers' & Artists' Yearbook
as a
sherpa
; to me, such volumes are more like security blankets for the creative process.
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