Time Won't Let Me
by
Bill Scheft
Order:
USA
Can
HarperCollins, 2005 (2005)
Hardcover
Read an Excerpt
Reviewed by J. A. Kaszuba Locke
I
s this for real, I ask myself as I begin to read
Time Won't Let Me
? Who is Bill Scheft? What's his
gig
? I read the book, making sense of a good portion, and deciding that I just may not be
hip
(or is that
hep
) enough, even though I am a rock and roll fan. Scheft is the author of
The Ringer
, soon to be a major motion picture, and
The Best of The Show: A Classic Collection of Wit and Wisdom
. He spent eleven years as head monologue writer for David Letterman and is a columnist for Sports Illustrated.
H
is latest book is about five guys - once fellow students at Chase Academy prep school in 1967 - reaching fifty. They accidentally came together as a
garage band
when assigned to detention in the school's Music Room. They never really liked each other, and named their band the
Truants
, playing at school
mixers
(when students from a nearby girls' school are invited to the boys' school).
Out of Site
is the one album they burned on the market, not that it went very far in sales. Actually, it ended up in front of a band member's dorm room, bearing a sign
FREE ALBUMS
, which soon translated into
TRASH DISCARD
. So that is what the superintendent did, after confiscating one album for his thirteen-year-old daughter.
T
hirty years later the five find out that a
rare copy
of the disk is being sold to a
collectah
from Germany for the goodly amount of $10,000. It made the headlines in the Phoenix free newspaper - '
Where Are the Truants, and What are they Doing That's Worth $10G?
' All the wheeling-dealing is due to the efforts of a character (and I mean
character
) named Dino Paradise, a
connoisseur
of music from
the era
. The band form the central cast members: Richie Lyman is a divorce lawyer who seduces his female clients with karaoke; John Thiel is a dermatologist; Tim Schlesinger's wife doesn't know about his hidden drum set; Brian Brock has been writing a thesis for the past twenty-five years, while dorm-sitting and part-time teaching at his alma mater; and Jerry is a gambler addicted to Equal (the sweetener), who goes into rehab for same, and also travels to the Cayman Islands on
delivery
errands (with mucho money attached to his legs). Assisting Jerry is another, delightfully funny character,
Pressure Chef
.
T
he group's album actually consisted of about a dozen songs like
Get Psyched
- '
I know you itchin' / To get psyched / You may be sleeping, in the night, / You may keeping, it in tight, ... I know you hear me - / Get psyched!
' The final cut combined some of their own work with songs by other artists such as
Michael Row The Boat Ashore
, and the underrated flip side to the Outsiders' giant hit,
Time Won't let Me
. Getting back to the sale of the
rare
album, it involves one mate getting in touch with all the others to bring them together for rehearsal, in order to play at the upcoming alma mater's class reunion, in the process revealing all the tribulations of each ex-classmate.
S
omewhere in Scheft's book there is a story ... promise. It just takes a reader's patience. It has the flavor of a
tongue in cheek
, rock 'n roll parody. The author's humor shows in comments like: '
Looking to start a band for the love of Christ, make sure you have an odd number of guys for voting purposes. If you put things to as many votes as you're going to have to, it's like buying no-tie insurance.
' Scheft includes a serious side of the five guys as they go through failed and failing marriages. They discover that one of them is gay, and one meets his son for the first time since the kid was two years old. Scheft relays their human side very well, and that's the part I enjoyed, as well as the mention of famed musicians/singers, rock 'n rollers, such as the great James Brown, Bo Diddley, The Rascals, The Beatles, Buddy Holly and the Crickets (super!), The Highwaymen, and Johnny Rivers - to name a few.
A
ll in all, Scheft's
Time Won't Let Me
covers an era in music history, with '
dark humor and daffy scenarios
', in a manner that seemed like trains slipping tracks, headed toward each other, though somehow never colliding.
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