A Woman's Liberation: A Choice of Futures by and about Women
Editors
Connie Willis & Sheila Williams
Order:
USA
Can
Warner, 2001 (2001)
Softcover
Read an Excerpt
Reviewed by Hilary Williamson
A
Woman's Liberation
is a collection of thought-provoking short stories billed as '
A Choice of Futures by and about Women
'. In fact its title is also that of one of its ten tales, one by Ursula K. Le Guin; an author that I have long considered the best writer of speculative fiction of either gender, for her remarkable novel
The Left Hand of Darkness
. Her story was, for me, the highlight of the collection, though others came close in quality.
T
he book is worthy of a place on your shelves for the introduction alone. Connie Willis writes about
Women's Lib, "The Liberation," and the Many Other Liberations of Science Fiction
. She talks about the representation of women in early SF writing, and surveys women writers - their impact on the genre and on women readers, and the ideas which they have explored. Stories in this collection were originally published in
Analog
and
Asimov's
, and display '
women facing all sorts of challenges, from superstition to sorrow to societies spinning out of control
.'
I
had read (and re-read) a couple before. Vonda N. McIntyre has written several stories about Snake, who faces superstition and fear as she uses serpents to heal in the powerful tale
Of Mist, and Grass, and Sand
. And Anne McCaffrey's remarkable creation, spirited shell person Helga, learns that she is not the only one to grieve in
The Ship Who Mourned
. New to me was Sarah Zettel's brilliant
Fool's Errand
, in which the
ship's fool
must deal with an escaped AI wreaking havoc. And Octavia Butler develops a fascinating premise in
Speech Sounds
, in which society is cripped by an epidemic that destroyed people's ability to communicate.
N
ancy Kress's
Inertia
tells of a quarantined society, and of the power of '
destructive inertia
' (the entire text of this one is included in the book's excerpt). In
Even the Queen
, Connie Willis takes her usual humorous look at a future society in which women are liberated from ... menstruation. Pat Murphy's
Rachel in Love
takes an unusual and effective approach to presenting the issue of human mistreatment of laboratory animals. S. N. Dyer takes us to share a doctor's experience in a future ER in
The July Ward
, and Katherine MacLean portrays a
Lady Sorceror
practicing biotechnology in a primitive world in
The Kidnapping of Baroness 5
.
T
hey're all good reads, but Ursula K. Le Guin excels as always in
A Woman's Liberation
, a tale of progression from slavery to freedom of body and spirit. As an
asset
on Zerkra, Rakam did not feel angry ... '
I could not. It would have eaten me
.' Her freedom gained, Rakam, once illiterate, studies and teaches history and fights for women's rights. After being owned and used, she finally learns to desire and to love. She answers her own rhetorical question about the importance of '
the joining of two people
' when set against '
the history of two worlds
' by acknowledging it as '
A little thing. But a key is a little thing, next to the door it opens
.'
T
he marvellous collection of ideas in
A Woman's Liberation
will open many doors to its readers - don't miss some of the best writers of the genre in ten tales of healing.
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