In Fine Form: The Canadian Book of Form Poetry
edited by
Kate Braid & Sandy Shreve
Order:
USA
Can
Raincoast, 2005 (2005)
Softcover
Reviewed by Hilary Williamson
I
n a Preface to
In Fine Form
, P.K. Page tells us that this poetry anthology '
shows us what Canadian poets from the sixteenth century to the present day have done with form ... Form is part of our heritage - free verse, an upstart. Not an unwanted or untalented upstart, but a newcomer nonetheless.
' The Introduction addresses what form is, and speaks of '
the delicious paradox of form poetry
' in that '
constraint can generate freedom
'.
T
he editors tells us that they sought a balance of forms, old and new, represented by both renowned and less known Canadian poems and poets. Each chapter explains a particular form - its origins, structure and features - and addresses both traditional and experimental approaches. The forms included in the anthology are:
Ballad
,
Blues
,
Couplet
,
Epigram
,
Fugue and Madrigal
,
Ghazal
,
Glosa
,
Haiku and other Japanese forms
,
Incantation
,
Palindrome
,
Pantoum
,
Rondeau family
,
Sestina
,
Sonnet
,
Stanza
,
Syllabics
,
Tercet
,
Triolet
, and
Villanelle
.
I
appreciated the education on forms, but enjoyed even more reading the 175 poems and picking out those that spoke most strongly to me. Robert Service's
Cremation of Sam McGee
, John McCrae's
In Flanders Fields
, and Pauline Johnston's
Train Dogs
are, of course, old favorites. I like Maureen Hynes'
Self-Sufficient Blues
('
Got the self-sufficient blues, just me, myself and mine
') and love the exuberance and sense of nature in
The Skater
by Sir Charles G. D. Roberts - '
And the woods hung hushed in their long white dream / By the ghostly, glimmering, ice-blue stream.
'
B
etsy Struthers'
Last Days
speaks poignantly of caring for a loved one suffering dementia. George Johnston's charming
Cathleen Sweeping
hits to the heart with a parent's delight in a small, busy child, while Bliss Carman's
Vagabond Song
creates a longing to wander through Fall colors - '
The scarlet of the maples can shake me like a cry / Of bugles going by.
' Maxianne Berger's
Constrained Response
takes hilarious aim at literary criticism, and Alan Wilson has fun with physics in
Particle Limericks
.
I
n Fine Form
provides a thorough lesson on form in poetry, offering many lyrical examples of Canadian poems of each type, with verses varying widely in form, style, subject and feeling.
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