A Passion for Collecting: Decorating with your Favorite Objects
by
Caroline Clifton-Mogg
Order:
USA
Can
Bulfinch, 2002 (2002)
Hardcover
Read an Excerpt
Reviewed by Hilary Williamson
'
These are a few of my favorite things ...
' But what do you do with them all once you identify and collect them?
A Passion for Collecting
is a gorgeous coffee table book full of examples and ideas that will encourage you to decorate with collectibles. The author discusses our collecting instincts, telling us that '
Collecting is about passion, about tracking down the perfect object to enhance your life ...
', and even likening it to a contagious (and incurable) virus.
A
re you a collector? This book identifies nine types, with a historical perspective on each (including some delightful eccentrics) and examples of displays of collections:
Antiquarians
,
Explorers
,
Inheritors
,
Perfectionists
,
Naturalists
,
Utilitarians
,
Enthusiasts
,
Decorators
and
Miniaturists
(I think I fall into the
Explorers
category myself, or perhaps I need to invent a new one called
Eclectics
!) We are told that '
Collections directly reveal the personalities behind them.
'
T
here are some marvellous examples of collections, from the more obvious, like paintings, statuary, furniture and china, to the less, like weathervanes, coathangers, paint palettes, Samurai warriors, and even a large portion of a cowshed floor.
Antiquarian
collectors seem motivated by the '
romance of a lost, great civilization
',
Explorers
by the pull of faraway places and
Inheritors
by a sense of tradition. The idea of a
Utilitarian
collection appeals to me but the size of objects (imagine a collection of bicycles) could be intimidating.
I
t is interesting to note that '
most of the great public collections across the world were originally formed through the drive and commitment of a single person or family
', so that all of us who visit museums benefit from these past passions. Though I found the background on collections and collectors fascinating, I was most intrigued by the photographs (by Simon Upton) of how people display these objects. Vicente Wolf is quoted as saying that '
three is a collection - two is just stuff
'. Groupings of items and themes are important, but combinations can work well also, like that of antique furniture with contemporary art.
B
ibliomania is discussed, with a quote from Osbert Sitwell that '
no gentleman can be without three copies of a book, one for show, one for use, and one for borrowers
' (apparently he filled eight houses with books). I find I am more in sympathy with the bibliophiles whose volumes end up stacked all over the house than with the collector who shelves them color coordinated, but
chacun à son gout
.
I
could go on for much too long about this lovely book. If you're like me and have been wondering how to make attractive displays of a hodgepodge of collectibles, then this is the book for you, full of ideas on how to make your collections into '
design statements
'. It also makes the perfect gift for any collector who wants to experiment with design or vice versa.
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